![]() All my bins and assets are methodically labelled and colour-coded. That makes three video sources to switch to (the third being the wide shot with both people in it, or a slide projector, or both). Open your multi-camera source sequence (right-click it in the Project tab and choose 'Open in Timeline') and add the new, fourth camera to Video Track 4. Mastered the art of setting up Premiere productions and projects for multiple in-house and remote editors. For example, one camera can focus on the guy on the left, and the other camera can focus on the guy on the right. ![]() ![]() Do this as many times as you need to, creating other variations on different video tracks. Select the second video track, then use the Effect Controls window to zoom in and position your footage correctly. VEs prepare all project assets and Premiere sequences for editorial teams and play a critical role in ensuring editors have a seamless, easy to understand, start to their projects with minimal. If you have a hi-res wide shot of an event and would like to make it more interesting by splitting it up with zoomed-in versions, duplicate your footage on the initial sequence (our All Cameras sequence). All offline editing tools are also available, for example the Rolling Edit tool (it’s the one that moves the current edit point without adding or removing footage). When you’re done, or if you’ve made a mistake, just stop and park the playhead before and edit and hit play again, switching to the appropriate camera. Now all we need to do is press SPACE (or hit the Play button), watch our footage, and switch cameras as desired while we watch – as if we’re watching a multi-camera event live in a studio. You can tell by the orange outline around that window. ![]() That means it needs to be the active element in your UI, or in other words “click into that window to make it responsive”. To be able to switch between cameras, the focus needs to be on the multi-camera monitor. ![]()
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